The first part of the book identifies and analyzes the distinctive way in which the picaresque genre deals with the cognitive value assigned to lived social experience. Mateo Aleman's "Guzman de Alfarache" and Baltasar Gracian's "El Criticon" are examined from this standpoint, paying special attention to significant Baroque concepts, e.g. discourse, cipher, caudal, and ingenio. The second part explores the new challenges that the subject of knowledge faces when confronted with a world perceived as convoluted and in complete disarray ("mundo trabucado"). This section identifies philosophical passages in both Calderon de la.
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